Italian soprano specializing in early music. She studied at the Benedetto Marcello Conservatory in Venice and graduated with distinction in 2015 from the Schola Cantorum Basiliensis, the Basel academy of historical music. Winner of several international vocal competitions, including the Toti dal Monte competition in Treviso (2012), after which she made her debut in Treviso as Elisetta in Cimarosa's 'Il matrimonio segreto'. In 2013, she made her debut in the same role at the Aix-en-Provence Festival, where she later received the title role in Cavalli's rarely performed opera 'Elena' and performed that role at the opera houses of Lille, Lisbon, Nantes, Angers, and Rennes with the orchestre La Cappella Mediterranea and its director Leonardo García Alarcón. In 2015, she made her debut at La Scala as Celia in Mozart's 'Lucio Silla' and at La Fenice (Venice) as Abra in Vivaldi's oratorio 'Juditha triumphans'.
She has performed rare operatic repertoire at the Paris Philharmonie, Cologne Philharmonic Hall, the Maggio Musicale Fiorentino festival, the Innsbruck Festival of Early Music, the Glyndebourne Festival, the Donizetti Theater, the Teatro Malibran, the Opéra Comique, the Royal Opera House Covent Garden, and others.
She has performed roles such as Despina ('Così fan tutte'), Zerlina ('Don Giovanni'), Mademoiselle Silberklang ('Der Schauspieldirektor'), Serpetta ('La finta giardiniera'), Pamina ('Die Zauberflöte'), Nannetta ('Falstaff'), Cinzia/Venere/Bellezza ('Ercole amante' by Cavalli), Almirena ('Rinaldo' by Handel), Eritrea ('Eritrea' by Cavalli'), Ordogno ('Don Chisciotte in Sierra Morena' by Francesco Conti), Venere/Proserpina ('Orfeo' by Luigi Rossi'), Carolina ('Il matrimonio segreto'), Sandrina ('La Cecchina' by Niccolò Piccinni), Maria ('I due timidi' by Nino Rota'), and Maria ('West Side Story'). Her concert repertoire includes Vivaldi's Gloria, Handel's 'Messiah' and 'Saul', Pergolesi's Stabat Mater, Mozart's Requiem, Antonio Caldara's 'La morte e sepoltura di Cristo', and previously unknown cantatas by Alessandro Stradella.
She has numerous recordings of early music, including the albums 'Angelica Diabolica', 'Sospiri d'amore', Nicola Logroscino's Stabat Mater, and Handel's 'Messiah'.
She has performed rare operatic repertoire at the Paris Philharmonie, Cologne Philharmonic Hall, the Maggio Musicale Fiorentino festival, the Innsbruck Festival of Early Music, the Glyndebourne Festival, the Donizetti Theater, the Teatro Malibran, the Opéra Comique, the Royal Opera House Covent Garden, and others.
She has performed roles such as Despina ('Così fan tutte'), Zerlina ('Don Giovanni'), Mademoiselle Silberklang ('Der Schauspieldirektor'), Serpetta ('La finta giardiniera'), Pamina ('Die Zauberflöte'), Nannetta ('Falstaff'), Cinzia/Venere/Bellezza ('Ercole amante' by Cavalli), Almirena ('Rinaldo' by Handel), Eritrea ('Eritrea' by Cavalli'), Ordogno ('Don Chisciotte in Sierra Morena' by Francesco Conti), Venere/Proserpina ('Orfeo' by Luigi Rossi'), Carolina ('Il matrimonio segreto'), Sandrina ('La Cecchina' by Niccolò Piccinni), Maria ('I due timidi' by Nino Rota'), and Maria ('West Side Story'). Her concert repertoire includes Vivaldi's Gloria, Handel's 'Messiah' and 'Saul', Pergolesi's Stabat Mater, Mozart's Requiem, Antonio Caldara's 'La morte e sepoltura di Cristo', and previously unknown cantatas by Alessandro Stradella.
She has numerous recordings of early music, including the albums 'Angelica Diabolica', 'Sospiri d'amore', Nicola Logroscino's Stabat Mater, and Handel's 'Messiah'.
